The BIG impOSCar.MP3 (4.6 Mb) audio demo.

All impOSCar, with drum duties taken care of by Stylus. The only additional effects are a bit of compression on the chord riff and some ensemble on the swirly chords towards the end. Regardless of your musical sensibility, this shows off the huge range of tones the impOSCar is capable of.

BellBreeze.mp3

An example of the impOSCar's ability to create userwaves by adding varying degrees of up to 24 harmonics. This feature is great for the creation of percussive and bell-like tones and on this sound this simple userwave is complimented with a little added white noise.

BornTrippy.mp3

Created using the random LFO Filter Pattern Synchronised to host tempo and treated with the impOSCar's on-board delay

BurningLoop.mp3

Created using one of the LFO Filter Patterns (in this instance an 8 stage sawtooth) and the Filter Envelope Repeat function. The part is then Gated and Synchronised to host tempo. Before being treated with
on-board delay.

DeepPanPad.mp3

A pad sound using the impOSCar's Pulse Width Modulation waveform and unique filter separation control. The final sound is then treated with a mixture of Lowpass and Highpass filtering via the on-board delay.

DreamScape.mp3

Another example of possibilities that the additive UserWaves section allows.

DuoArpeggioShort.mp3

Created using the arpeggator in duophonic mode. The part starts as a heavily gated arpeggio before opening up at the 21 second mark. At the 52 second mark the filter cutoff is opened. Finally, between 1min 11secs and the end of the track an assortment of gate time tweaks take place.

GatedChords.mp3

A gated sweep part created using one of the Amplitude Envelope Repeat. This part is then Gated and synchronised to host tempo before being treated with the impOSCar's on-board delay

MagicWaters.mp3

A beautiful and subtly distorted pad that makes use of the 8 stage sawtooth LFO Filter and the impOSCar's unique Filter Separation control. Again everything here is synchronised to host tempo and treated with the impOSCar's on-board delay.

Shamen.mp3

With apologies to those who remember the real riff. This sound was created using the impOSCar's unique simultaneous multi-pass filters (in this instance both Lowpass and Highpass) combined with a negative filter envelope setting.

TwoChordsInOne.mp3

Created using the pitch envelope and envelope delay settings.

80sGroove.mp3

A short demo featuring drums from Stylus and bass and lead parts from the impOSCar, with a little delay added to the lead line.

PWMFilter_Rez_Separation.mp3

The isolated riff from the 80's groove demo.

Filter_Rez_Seperation.mp3

A two note octave sequence using a sound created with the impOSCar Pulse Width Modulation. The changes you hear are caused by adjusting the resonance and separation controls.

80sElectro.mp3

Starts with a sequence line from the impOSCar followed by an initial impOSCar lead line, repeated again along with a different sound. Again, drums are courtesy of Stylus. As with the previous track, the only effect used on this track is a little delay.

Chord01.mp3

A series of chords showing the impOSCar poly mode.

PWM_LFO.mp3

Another PWM sound, this time with a small degree of filter LFO applied.

UserWaves.mp3

An example of the User Wave facility. A great feature of the OSCar is that you can create your own waveforms using a form of additive synthesis. The impOSCar takes this concept further by allowing you to save your own waveforms as well as the ability to assign different UserWaves for each oscillator.

Ethnic.mp3

Here's a really interesting sound from the impOSCar created utilising the User Wave facility. Although the impOSCar does not have a split keyboard facility, playig this sound at the lower end of the keyboard gives the modulated drone, while further up the scale you hear the percussive dulcimer type sound. Everything here is generated from a single sound with no added affects.

 

 

Copyright© GMEDIA Music. 2003 All Trademarks acknowledged.