The Award Winning Oddity.

The raw sound of the Oddity is everything, the 'spirit' of the original is key!


Click on the screen-shot for a full size image.

Order the Oddity here.

Oddity Demo versions here.

 

Overview
The Oddity is modelled on the classic ARP Odyssey synthesiser which was manufactured between 1971 & 1976 and was used by artists as diverse as Gary Numan, Herbie Hancock, Kraftwerk and Portishead. Its place in synth folklore is assured and deserved but due to the small numbers produced, the chances of finding one in good working order for less than a king's ransom is slim.

The Oddity takes all that was unique and great about this instrument and, thanks to a painstaking emulative process, brings these qualities to an instrument of the 21st century. Now you can finally have those famous Odyssey tones and the exclusive ARP operational method married to reliable tuning, non-breakable sliders and, something only dreamed about in the 1970's, memories.

In fact the Oddity takes the ability to store memories one step further and allows you to morph between any of the saved patches within a bank. Simply pick a start patch, a morphtime and a destination patch, and the Oddity will output some amazing and inspirational sounds all of which can be recorded by your host sequencer. Additionally the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired.

Because the Oddity was created by Odyssey aficionados, as much of what gave the original instrument its character and functionality was built-in too. For example, the way the ring modulator and duophonic mode interact to create sublime aggressive tones was carefully modelled, as was the effect the Lag Generator has on a keyboard triggered LFO.

Awards
Since its release, the Oddity has won numerous industry awards including Future Music Platinum Award, Computer Music Value & Performance Awards and is now available as a boxed product from M-Audio or as a download from GForce Software.

Features
Extremely realistic analog modelling of classic ARP Odyssey
2 syncable oscillators
Fully tunable across a 6-octave range
Sawtooth, sine, square and variable pulse-width waveforms and sync
White and pink noise generators
Monophonic and duophonic modes
Host-syncable LFO Ring modulator
Resonant 24dB/octave low-pass filter
High-pass filter
Sample-and-hold
Portamento
2 envelope generators
Flexible modulation routing
Fully programmable, including 384 presets
Timed morphing between presets
Flying Slider feature

Suggested listening
Herbie Hancock - Chameleon & Ready or Not
John Foxx - Metamatic
Jean Michel Jarre - Oxygene
Gary Numan - Music for Chameleons
Klaus Schultze - Picture Music
Kraftwerk - Autobahn
Ultravox - Vienna
George Duke & Chick Corea - misc solos

Selected Quotes
Craig Anderton - in EQ Magazine
"This is an aficionado's plug-in.....a product for synth connoisseurs. It feels more like a labour of love than an attempt to rule the world of soft synths with a Great Big Commercial Hit; somebody put a lot of time into getting the details right."

Herbie Hancock
"The Oddity is so authentic it takes me back to my HeadhunterÕs days."

Klaus Schulze
"Today I installed the Oddity.....it's beautiful. And with the 24db filters it sounds much better than the original! I really can recommend this synth."

John Foxx
"The Oddity is beautifully realised. All the power, character, precision, intricacy, grunge and sonic extremes of the original - Everything from precise early analogue to howling organic electrolife is here. A great tool for any kind of sonic sculpture."

ARP co-founder and lead designer of the original Odyssey, David Friend commented;
"You guys did a fantastic job of getting every detail right, including incorporating some features that we couldn't have even dreamed of at the time (like memory). Thanks for this wonderful labour of love."

Formats
Stand-alone or host use - VST 2.0
(PC/MacOSX), RTAS (PC/MacOSX), AU (MacOSX)
NB You cannot save patches in Standalone mode

Minimum System Requirements

Windows
Intel Pentium III 500MHz with 128MB RAM
Windows 98, 98SE, Me, 2000, and XP
VST 2.0 or RTAS compatible host application for plug-in operation

Macintosh
PowerMac G4 400 MHz with 128MB RAM
OS X - VST 2.0, RTAS, or Audio Unit compatible host application for plug-in operation

 

 

 

 



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